虽然拼贴主要是被看作是孩子用胶棒，剪刀和旧杂志制作成的艺术品，但是一个世纪以前，拼贴画就是朝着现代艺术的层次发展的。 Although the collage is mainly seen as a child with Glue stick, scissors and old magazines produced works of art, but a century ago, collage is the level towards the development of modern art. 当Picasso在1912年在他的作品中加入了一块有色油画布，George Braques 和Juan Gris也将拼接材料运用到了作品中，拼接成为一种很流行的艺术。 When Picasso in 1912, joined in his work a piece of colored canvas, George Braques and Juan Gris mosaic materials will also be applied to the works, blending into a very popular art.
自Cubists后，又出现了Dadaists。 Since the Cubists, the further emergence of Dadaists. 艺术家们例如Hannah Hoch, Max Ernst, 和Kurt Schwitters等提高了他们的赌注：拼接虽然没有增加，但它是他们工作的核心和灵魂。 Artists such as Hannah Hoch, Max Ernst, and Kurt Schwitters and so increased their bets: splicing does not increase, but it is the heart and soul of their work. 这些艺术家开始使用材料进行拼接，但很少和艺术资本联系起来，想要打破传统的方式。 These artists began to use the materials for splicing, but few and artistic capital of link you want to break the traditional way. Dadaists和其他艺术家，在Schwitters所谓的“机会遇到物体” 的号召下，将票根，收据，价目牌、面料、图表、照片、邮票、贴标签，凡事能拼贴的东西，都运用到工作中。 Dadaists and other artists, Schwitters so-called "opportunity to meet the object," the call of the ticket, receipts, price tags, fabrics, graphics, photographs, stamps, stickers, everything can be a collage of things that have to work for.
很多艺术家和美术评论家认为,在19世纪20年代至30年代，拼贴艺术将成为世纪的艺术，拼贴没有像想象之中的超前，但是它也没有消失。 Many artists and art critics that in the 19th century, 20 years to 30 years, will be the century of collage art, collage is not as imagined in advance, but it did not disappear. 它演变成了Ray Johnson的惊人的邮件艺术，拼贴的一天超过三十年的John Evans。 It evolved into the amazing Ray Johnson mail art, collage a day more than three years of John Evans. 当然，和他一起创建的Robert Rauschenberg也是最大的艺术家之一。 Of course, and he created with artist Robert Rauschenberg is one of the largest.
这次拼贴欣赏也延伸到了传统拼接。 The collage appreciation also extends to the traditional stitching. 限制型拼接就是运用很少的材料，有些是令人惊喜的、有趣的、创新的、有争议的，有些近乎是挑衅的，有些是有益健康的。 Limit is to use small type splicing material, some amazing, fun, innovative, controversial, some almost a provocation, some are healthy. 这些艺术家的作品中，有些是难以区别的，但是他们对于拼接的理解都是有着相同的执著精神。 These artists, some are difficult to distinguish, but their understanding of the mosaic are have the same dedication
Although the collage is mainly seen as a child with Glue stick, scissors and old magazines produced works of art, but a century ago, collage is the level towards the development of modern art. 当Picasso在1912年在他的作品中加入了一块有色油画布，George Braques 和Juan Gris也将拼接材料运用到了作品中，拼接成为一种很流行的艺术。 When Picasso in 1912, joined in his work a piece of colored canvas, George Braques and Juan Gris mosaic materials will also be applied to the works, blending into a very popular art.
自Cubists后，又出现了Dadaists。 Since the Cubists, the further emergence of Dadaists. 艺术家们例如Hannah Hoch, Max Ernst, 和Kurt Schwitters等提高了他们的赌注：拼接虽然没有增加，但它是他们工作的核心和灵魂。 Artists such as Hannah Hoch, Max Ernst, and Kurt Schwitters and so increased their bets: splicing does not increase, but it is the heart and soul of their work. 这些艺术家开始使用材料进行拼接，但很少和艺术资本联系起来，想要打破传统的方式。 These artists began to use the materials for splicing, but few and artistic capital of link you want to break the traditional way. Dadaists和其他艺术家，在Schwitters所谓的“机会遇到物体” 的号召下，将票根，收据，价目牌、面料、图表、照片、邮票、贴标签，凡事能拼贴的东西，都运用到工作中。 Dadaists and other artists, Schwitters so-called "opportunity to meet the object," the call of the ticket, receipts, price tags, fabrics, graphics, photographs, stamps, stickers, everything can be a collage of things that have to work for.
很多艺术家和美术评论家认为,在19世纪20年代至30年代，拼贴艺术将成为世纪的艺术，拼贴没有像想象之中的超前，但是它也没有消失。 Many artists and art critics that in the 19th century, 20 years to 30 years, will be the century of collage art, collage is not as imagined in advance, but it did not disappear. 它演变成了Ray Johnson的惊人的邮件艺术，拼贴的一天超过三十年的John Evans。 It evolved into the amazing Ray Johnson mail art, collage a day more than three years of John Evans. 当然，和他一起创建的Robert Rauschenberg也是最大的艺术家之一。 Of course, and he created with artist Robert Rauschenberg is one of the largest.
这次拼贴欣赏也延伸到了传统拼接。 The collage appreciation also extends to the traditional stitching. 限制型拼接就是运用很少的材料，有些是令人惊喜的、有趣的、创新的、有争议的，有些近乎是挑衅的，有些是有益健康的。 Limit is to use small type splicing material, some amazing, fun, innovative, controversial, some almost a provocation, some are healthy. 这些艺术家的作品中，有些是难以区别的，但是他们对于拼接的理解都是有着相同的执著精神。 These artists, some are difficult to distinguish, but their understanding of the mosaic are have the same dedication.
|
